Trainspotting by Scottish writer Irvine Welsh is a cult classic.
The novel’s fast-paced storytelling, innovative form, and exploration into the dark underworld of drugs and debauchery has made it the subject of both outrage and acclaim.
From its experimental form to its controversial theme, the book epitomizes the idea of rebellion. Divided into seven sections, the book features alternating storylines narrated by multiple characters.
Though people assume that the novel is about drugs, its discussion of narcotics are merely a device to expose the issues of poverty, sectarianism, racism, exile and national identity.
Its foray into the drug culture revolves around the study of addiction – how it occurs and how it addicts have trouble breaking free from it.
The author’s opus is about choice – what people are confronted with, how and why we we choose certain paths, and the ambiguity of its consequences. Initially the characters choose their debilitating habit over family and responsibility, however as the character of Mark Renton gets frustrated over his steady downward progression, he is faced with another decision that would ultimately save him but is at the same time, also amoral. It also delves into the world of people afflicted with poverty where the state of being ‘poor’ is not only an economic issue but a psychological and emotional one.
Set in 1980s Edinburgh, the novel does not follow a linear pattern, rather using the concept of addiction; the chronology of time becomes irrelevant. The story follows a motley crew of junkies where they describe a series of events that has prompted their drug use or caused them to relapse. As their lives continue to decay, they fall into several dangerous scenarios.
The novel’s main character, Mark Renton has a vision has been wasting his life on the habit and realizes that he must break free from his friends in order to save himself. However, his choice involves betraying and stealing from the group.
First published in 1993, its dark humor and gritty subject matter gained critical success, especially with the club-going audience who could relate to its themes and animosity towards mainstream society. As one of the contenders for the 1993 Booker Prize, the novel’s edgy prose solidified Welsh as one of the most formidable writers in the Scottish literary scene. Many credit the author for rejuvenating English literature by bringing it into a highly charged metropolitan landscape.
The book achieved even greater cult status after it was adapted unto the stage and later as a film directed by Danny Boyle and starring Ewan McGregor in 1996.
Plus, the (movie’s) soundtrack kicks ass.